Bibliography

IMAGE CREDIT: “Erub Palms” by Gavin Bannerman, licensed under CC BY-NC 2.0 [image cropped on some screens].

ALTHANS, Katrins. 2010. Darkness Subverted: Aboriginal Gothic in Black Australian Literature and Film. Göttingen: Bonn University Press.

BECKETT, Jeremy. 1987. Torres Strait Islanders: Custom and Colonialism. Cambridge: Cambridge University Press.

BENNETT, Tony, et al. 1992. Celebrating the Nation: A Critical Study of Australia’s Bicentenary. London: Allen and Unwin.

BOLTER, Jay D. and GRUSIN, Richard. 1999. Remediation: Understanding New Media. Cambridge, MA: MIT Press.

BRYSON, Ian. 2002. Bringing to Light: A History of Ethnographic Filmmaking at the Australian Institute of Aboriginal and Torres Strait Islander Studies. Canberra: Aboriginal Studies Press.

CALVERT, Frances. 1998. Moving Images, Making Meanings. In: Derrière les images. Neuchâtel: Musée d’ethnographie, pp. 307-336.

CLELLAND-STOKES, Sasha. 2007. Representing Aboriginality: A Post-Colonial Analysis of the Key Trends of Representing Aboriginality in South African, Australian and Aotearoa/New Zealand Film. Aarhus:Intervention Press.

COLLINS, Felicity and DAVIS, Therese. 2005. Australian Cinema After Mabo. Cambridge: Cambridge University Press.

DAVIS, Therese. 2004. The Face on the Screen: Death, Recognition and Spectatorship. Bristol: Intellect Books.

DE GAY, Paul, et al. 1997. Doing Cultural Studies: The Story of the Sony Walkman. London: Sage.DIXON, Robert. 2001. Prosthetic Gods: Travel, Representation and Colonial Governance. Queensland: University of Queensland Press.

DIXON, Robert. 2001. Prosthetic Gods: Travel, Representation and Colonial Governance. Brisbane: University of Queensland Press.

DIXON, Robert. 2012. Photography, Early Cinema and Colonial Modernity: Frank Hurley’s Synchronized Lecture Entertainments. London: Anthem Press.

DOANE, Mary Ann. 2002. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA/London: Harvard University Press.

FITZSIMONS, Trish; LAUGHREN, Pat and WILLIAMSON, Dugald. 2011 Australian Documentary: History, Practices and Genres. Cambridge: Cambridge University Press.

GINSBURG, Faye. 1995. Mediating Culture: Indigenous Media, Ethnographic Film and the Production of Identity. In: L. Devereaux and R. Hillman, eds. Fields of Vision: Essays in Film Studies, Visual Anthropology and Photography. Berkeley/Los Angeles: University of California Press, pp. 256-290.

GINSBURG, Faye. 2008. Rethinking the Digital Age. In: P. Wilson and M. Stewart, eds. Global Indigenous Media: Cultures, Poetics and Politics. London: Duke University Press, pp. 287-306.

GRIFFITHS, Alison. 2002. Wondrous Difference: Cinema, Anthropology and Turn-of-the-Century Visual Culture. New York: Columbia University Press.

HERLE, Anita and ROUSE, Sandra, eds. 1998. Cambridge and the Torres Strait: Centenary Essays on the 1898 Anthropological Expedition. Cambridge: Cambridge University Press.

HOKOWHITU, Brendan and DEVADAS, Vijay, eds. 2013. The Fourth Eye: Māori Media in Aotearoa New Zealand. Minneapolis/London: University of Minnesota Press.

KITTLER, Friedrich. 1999. Gramophone, Film, Typewriter. Translated by G. Winthrop-Young and M. Wutz. Stanford, CA: Stanford University Press.

KRAUSZ, Peter. 2003. Screening Indigenous Australia: An Overview of Aboriginal Representation on Film. Australian Screen Education. 32(Spring), pp. 90-95.

LANDMAN, Jane. 2006. The Tread of a White Man’s Foot: Australian Pacific Colonialism and the Cinema, 1925-62. Canberra: Pandanus Books.

LANDMAN, Jane. 2009. Borders of the National Family in King of the Coral Sea (1954). Studies in Australasian Cinema. 3(1), pp. 61-73.

NAKATA, Martin. 2007. Disciplining the Savages, Savaging the Disciplines. Canberra: Aboriginal Studies Press.

O’REGAN, Tom. 1994. King of the Coral Sea. Cinema Papers. 101, pp. 14–16.

PIKE, Andrew and COOPER, Ross. 1980. Australian Film 1900-1977: A Guide to Feature Film Production. Melbourne: Oxford University Press.

RONY, Fatimah T. 1996. The Third Eye: Race, Cinema and Ethnographic Spectacle. Durham/London: Duke University Press.

THOMAS, Nicholas. 1994. Colonialism’s Culture: Anthropology, Travel and Government. Cambridge: Polity Press.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s